So. Drawing!
I read about this book called Drawing on the Right Side of the Brain on a blog that I now forget. The blogger insisted she’d gone from drawing stick figures to stuff resembling Actual Art ™ after going through this book. This sounded somewhat promising, but I was still apprehensive since even stick figure drawing has always eluded me. I mean, I can draw a stick dude just standing there, sure, but make him move? Or sit? Or wear a hat? I’d fail a test that required me to copy XKCD strips accurately.
Okay, I can see you guys don’t believe me. This is why I have come prepared.
The first chapter of the book made me do a few “pre-instruction” drawings. One of the assignments was DRAW A PERSON. Any person. And this was my response (that thing that looks like a five year old’s picture of a generic girl, yes, that one… actually, scratch that, my three year old niece actually makes better drawings than this). I began by copying off a magazine ad but gave up very soon because it was just too hard. This detail is important because…
Compare that drawing with this – a copy of Picasso’s line drawing of Stravinsky, I made just a couple of pages later. The drawing isn’t perfect obviously, but it is (to me) almost miraculous in the increased complexity. I got shirt folds! And crossed fingers! And a truly passable resemblance to the drawing I was copying. I didn’t give up in frustration, even though just ten minutes ago I had done exactly that with a similar task.
And the trick with which this miracle was accomplished was so very simple. That brilliant book instructed me to turn Picasso’s drawing upside down, and just copy the lines without thinking about what the lines were supposed to represent.
This is a huge deal. It’s a key that unlocks so many seemingly unpassable barriers to drawing: if you think you want to draw a finger, then your brain forces you to use your personal symbol for “finger”, probably determined when you were 5 or 6 years old, which looks nothing like a real finger. But if you just say you want to draw these bunch of lines right there at the end of your hand, and then you draw them, fingers just … appear.
So NEAT.
Here’s a before and after of my hand. The before is not exactly before. It was done after I drew Stravinsky above, so it’s a little better than my “OMG A Person” before-drawing. The after is also not exactly “after”, since I was only about 90 pages into the book when I did it.
After I drew that hand I just gazed and gazed at it for minutes on end. I still can’t believe that came out of the end of MY pencil.
But that hand is nothing, nothing, compared to what I drew this past Wednesday. I’m about 120 pages into the book, mind, less than halfway through it. But I think this is pretty freaking AWESOME, do you not think so?
I present to you my crowning glory thus far: a partial copy of Rubin’s “Study of Arms and Legs”. Viola!
Look at that girl up there. Then look at these legs. Look at that girl again. And now look at these legs again. The legs are now diamonds.
Oh, man, if I ever get done gazing at these legs in self-congratulation, I might get back to the book and learn a bit more about drawing. Meanwhile, it’s good to be back in the blogosphere!






